During my research with women performers at the Edinburgh Festival Fringe, I adopted drawing as my primary tool for collecting and analysing data. I found that the best way to capture the value of theatrical performances was through an effective visual medium. Therefore, the purpose of this paper is to illustrate the potential of drawing to be feminist tool. My informants created whimsical and often absurd narratives of women’s violation and dissent. With the help from my drawings, I shall put the themes of vulgarity and vulnerability into discussion with the ability of theatre to politically effect
From the late 1960s to the present, women have utilised performance art as a 'form' with which to re...
This research project investigates the risky self-disclosure that certain feminist performance artis...
This exegesis has developed from my visual research that comes in the hybrid form of public feminist...
During my research with women performers at the Edinburgh Festival Fringe, I adopted drawing as my p...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
My research explores the possibility of a revitalised language around viewing, pleasure and embodime...
My work is concerned with the correlation of society’s standards for women, their bodies, and the re...
This article investigates the ‘performative’ and how this concept is used in drawing today, particul...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Genital sensation sets out to review the practice of “cunt art” as a diverse range of feminist perfo...
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.This thesis is constructed between...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Genital sensation sets out to review the practice of “cunt art” as a diverse range of feminist perfo...
3rd Place in Denman Undergraduate Research Forum for Arts & Architecture CategoryI am choreographing...
In this submission, I argue for a re-thinking of the concept of an artist's oeuvre, to extend it con...
From the late 1960s to the present, women have utilised performance art as a 'form' with which to re...
This research project investigates the risky self-disclosure that certain feminist performance artis...
This exegesis has developed from my visual research that comes in the hybrid form of public feminist...
During my research with women performers at the Edinburgh Festival Fringe, I adopted drawing as my p...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
My research explores the possibility of a revitalised language around viewing, pleasure and embodime...
My work is concerned with the correlation of society’s standards for women, their bodies, and the re...
This article investigates the ‘performative’ and how this concept is used in drawing today, particul...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Genital sensation sets out to review the practice of “cunt art” as a diverse range of feminist perfo...
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.This thesis is constructed between...
This thesis concerns drawing as a form of enquiry, figuration and knowledge, specifically relating t...
Genital sensation sets out to review the practice of “cunt art” as a diverse range of feminist perfo...
3rd Place in Denman Undergraduate Research Forum for Arts & Architecture CategoryI am choreographing...
In this submission, I argue for a re-thinking of the concept of an artist's oeuvre, to extend it con...
From the late 1960s to the present, women have utilised performance art as a 'form' with which to re...
This research project investigates the risky self-disclosure that certain feminist performance artis...
This exegesis has developed from my visual research that comes in the hybrid form of public feminist...